NOVEL SIMPLE Easy Tycoon
Chapter 970 Yang Jing's Confidence
Chapter 970 Yang Jing's Confidence
Yang Jing didn't worry about how the archaeological team would do the rest of the work. In order to hand over these two sets of treasures to the country, he had already put in too much effort. relationship.
After coming out of the water, Yang Jing greeted Mr. Wang and started climbing the mountain with the wooden box wrapped in plastic bags.
Since the Mausoleum of Wu Zetian below cannot be kept, it is necessary to find another place for Yue Chengzi to settle down.In fact, the original Yuecheng temple is the best, but that Taoist temple is about a hundred meters below the water surface.So after much deliberation, Yang Jing still decided to bury Yue Chengzi's remains on the mountainside.
In Chinese Feng Shui, people cannot be buried on the top of a mountain after they die, because it is a taboo to bury the descendants of the master on the top of the mountain and lose money and lose money.Although Yue Chengzi may not have any descendants, Yang Jing would not be so stupid as to bury his remains on the top of the mountain.
After burying Yuechengzi, back to the water's edge, Gege, accompanied by Morris and the others, was waiting for Yang Jing in a speedboat.
"How is the matter going? I saw Mr. Wang's expression was a little heavy." Yang Jing asked Grid as soon as he boarded the speedboat.
"It's okay. I'm the one who leads the way. I found this place. Only I can take them in. As for the follow-up decision, that's a matter for the higher authorities, so I don't care. I'll call the master later. , if there is nothing else, let's go home directly."
The speedboat quickly broke through the water surface and galloped on the water surface of Xiaolangdi Reservoir.Galloping on the water in this summer, it feels indescribably comfortable.
Yang Jing dialed the number of Master Liu Lao, gave a general account of the situation here, and asked Master Master if he could go back.
The master asked Yang Jing to wait, and after more than half an hour, the master called. He told Yang Jing to come back if he wanted to, and there was nothing for him there.
this is a good news.Although this place is very beautiful with mountains and rivers, but no one wants to stay outside all day in this kind of weather, it would be fatal.Where can I stay here than in the air-conditioned room at home?Not to mention, those treasures of Old Mike are about to enter the country, and Yang Jing has to go back to serve them. How can he waste time here?
After staying in the ancient town for one night, Yang Jing and his party drove back to Tianqu early the next morning.
On the way, Wang Jiazan kept calling. It turned out that the treasures transported by air from the United States had already arrived in Tianqu. Wang Jiazan, who had volunteered to take full responsibility for this matter, saw so many precious treasures. After the antique works of art, he was also a little dumbfounded. As a last resort, he kept urging Yang Jing to come back quickly.
Fortunately, the underground vault of the museum is large enough, and the space has been fully utilized, so even though there are a lot of these antique artworks shipped from the United States, they can still be put there.
On the way, Yang Jing called the Grand Master and the others, asking for support from the Palace Museum.
Now counting the old objects collected by Lao Na and Pete Wu, plus these antique works of art transported from the United States in the form of "cultural relics exchange", the two floors of the underground vault of the Grand Canal Museum are now full. Yes, there are tens of thousands of pieces.
The most important thing is that most of these antique works of art and those old objects are high-quality goods.With so many good things, it is absolutely impossible to rely on Wang Jiazan alone.
Mr. Liu and the others heard that Yang Jing had bought many good things from abroad, and they hadn't seen all the treasures that Yang Jing collected in Yanjing before, so after hearing the disciple's request, they immediately gave Shan The dean made a report, and after seeking the approval of Dean Shan, the four of them took a dozen experts and dozens of staff from the courtyard to take the high-speed rail and head straight to Tianqu to help the disciples take care of these treasures.
Mr. Yang, who lives in Tianqu, also mobilized his connections and invited many people from Tianqu Museum and Provincial Museum to help clean up these treasures.
With the addition of these experts, it will be much easier to organize these treasures.And for these experts and masters, it is extremely rare to be able to experience these exquisite antique artworks with their own hands.Not to mention that most of these treasures are unknown to them before.
Therefore, although sorting out these treasures is a very hard work, for these people, it is like a drink of sweets, and they wish to do this kind of work every day.
Yang Jing's grandfather, Mr. Yang, and Mr. Yang's old friends who rushed over after hearing the news, seeing so many priceless boutiques gathered in the Tianqu Museum, they, the masters of the older generation, also Secretly sighed at Yang Jing, a young man's handwriting and courage.
These masters are all well-informed, but they can't imagine that apart from the Palace Museum, there is no private museum in China that can match the collection of the Grand Canal Museum, or even most of the provincial museums. The collections are far inferior to this now unknown private museum.
Similarly, in terms of treasures, even if the collections of the Grand Canal Museum are not as good as those of the Palace Museum, they are definitely not far behind.
Don't be unconvinced when you say this!Isn't there a firewood kiln in the Forbidden City? "Lanting Collection Preface" is not the original Forbidden City, right? Is there no original copy of "Yongle Dadian" in the Forbidden City? "Surfing the River During the Qingming Festival" Is there no real work in the Forbidden City?
Not to mention the treasures that Yang Jing bought from overseas, many treasures, not to mention the Palace Museum, not even the famous museums such as the Metropolitan Museum and the Louvre in the United States.
But in terms of the quantity and quality of the collections of the top museums, the Grand Canal Museum is not inferior to the top museums in the world.What the Grand Canal Museum lacks is quantity.
The number of tens of thousands of collections sounds like a lot, but compared to the number of collections in the Forbidden City, the Metropolitan Museum, and the Louvre, which are often tens of millions of collections, the number of collections in the Grand Canal Museum is really very small. .
But the Grand Canal Museum really has a lot of masterpieces, just like the three treasures of the Louvre Museum are "Venus with Broken Arms", "Statue of Victory" and "Mona Lisa's Smile", but Yang Jing here also has three bronze sculptures and Da Vinci's "Leda and the Swan"!It's not worse than the Louvre Sambo at all.
The treasures of the four town halls of the Metropolitan Museum of New York are Degas's "Dance Classroom", Dusio's "Madonna and Child", Royz's "Washington Crossing the Delaware River" and the Temple of Dandur. Yang Jing also has Da Vinci's "Portrait of the Sculptor", Raphael's "Madonna's Smile" and "Madonna under the Tree" and many other authentic works of famous painters.
Everyone knows, whether it is Degas, Dusio, or Reutz, how can it be compared with painters of the same level as Da Vinci, Raphael, Ingres, Monet, and Cézanne?
That's right, there is indeed no such large-scale collection as the Temple of Dandur in Yang Jing's collection, but Yang Jing has the golden scepter of Amenhotep III, the ninth pharaoh of the No.18 Dynasty in ancient Egypt. And a golden mask and a golden scepter and a golden mask of the tenth pharaoh Amenhotep IV of the No.18 dynasty of ancient Egypt!In addition, there is the scepter held by Her Majesty Empress Catherine when she ascended the throne and a pair of imperial gold armor of King Philip V of Spain!
The combined value of these few things is absolutely no worse than the Temple of Dandur, and even far surpasses it!
Not to mention that Yang Jing still has [-] Easter eggs in his hand, and manuscripts written by Shakespeare, Tolstoy, Hugo and other famous writers.
These things are placed in the Western world, and any one of them can cause a sensation.Compared with these treasures, the works of Picasso and Van Gogh can only be regarded as ordinary museum collections!
If the country really promises to exhibit the Chuan Guoxi, the imitated Dayu Jiuding, the Twelve Golden Man of Qin, and the four BJ/human skull fossils at the Grand Canal Museum, then Yang Jing really wants to I don’t know which museum’s top collection dares to challenge its own Grand Canal Museum!
Therefore, these peerless treasures in the Grand Canal Museum are irresistible to those experts and masters, which is also where Yang Jing's confidence lies!
(End of this chapter)
Yang Jing didn't worry about how the archaeological team would do the rest of the work. In order to hand over these two sets of treasures to the country, he had already put in too much effort. relationship.
After coming out of the water, Yang Jing greeted Mr. Wang and started climbing the mountain with the wooden box wrapped in plastic bags.
Since the Mausoleum of Wu Zetian below cannot be kept, it is necessary to find another place for Yue Chengzi to settle down.In fact, the original Yuecheng temple is the best, but that Taoist temple is about a hundred meters below the water surface.So after much deliberation, Yang Jing still decided to bury Yue Chengzi's remains on the mountainside.
In Chinese Feng Shui, people cannot be buried on the top of a mountain after they die, because it is a taboo to bury the descendants of the master on the top of the mountain and lose money and lose money.Although Yue Chengzi may not have any descendants, Yang Jing would not be so stupid as to bury his remains on the top of the mountain.
After burying Yuechengzi, back to the water's edge, Gege, accompanied by Morris and the others, was waiting for Yang Jing in a speedboat.
"How is the matter going? I saw Mr. Wang's expression was a little heavy." Yang Jing asked Grid as soon as he boarded the speedboat.
"It's okay. I'm the one who leads the way. I found this place. Only I can take them in. As for the follow-up decision, that's a matter for the higher authorities, so I don't care. I'll call the master later. , if there is nothing else, let's go home directly."
The speedboat quickly broke through the water surface and galloped on the water surface of Xiaolangdi Reservoir.Galloping on the water in this summer, it feels indescribably comfortable.
Yang Jing dialed the number of Master Liu Lao, gave a general account of the situation here, and asked Master Master if he could go back.
The master asked Yang Jing to wait, and after more than half an hour, the master called. He told Yang Jing to come back if he wanted to, and there was nothing for him there.
this is a good news.Although this place is very beautiful with mountains and rivers, but no one wants to stay outside all day in this kind of weather, it would be fatal.Where can I stay here than in the air-conditioned room at home?Not to mention, those treasures of Old Mike are about to enter the country, and Yang Jing has to go back to serve them. How can he waste time here?
After staying in the ancient town for one night, Yang Jing and his party drove back to Tianqu early the next morning.
On the way, Wang Jiazan kept calling. It turned out that the treasures transported by air from the United States had already arrived in Tianqu. Wang Jiazan, who had volunteered to take full responsibility for this matter, saw so many precious treasures. After the antique works of art, he was also a little dumbfounded. As a last resort, he kept urging Yang Jing to come back quickly.
Fortunately, the underground vault of the museum is large enough, and the space has been fully utilized, so even though there are a lot of these antique artworks shipped from the United States, they can still be put there.
On the way, Yang Jing called the Grand Master and the others, asking for support from the Palace Museum.
Now counting the old objects collected by Lao Na and Pete Wu, plus these antique works of art transported from the United States in the form of "cultural relics exchange", the two floors of the underground vault of the Grand Canal Museum are now full. Yes, there are tens of thousands of pieces.
The most important thing is that most of these antique works of art and those old objects are high-quality goods.With so many good things, it is absolutely impossible to rely on Wang Jiazan alone.
Mr. Liu and the others heard that Yang Jing had bought many good things from abroad, and they hadn't seen all the treasures that Yang Jing collected in Yanjing before, so after hearing the disciple's request, they immediately gave Shan The dean made a report, and after seeking the approval of Dean Shan, the four of them took a dozen experts and dozens of staff from the courtyard to take the high-speed rail and head straight to Tianqu to help the disciples take care of these treasures.
Mr. Yang, who lives in Tianqu, also mobilized his connections and invited many people from Tianqu Museum and Provincial Museum to help clean up these treasures.
With the addition of these experts, it will be much easier to organize these treasures.And for these experts and masters, it is extremely rare to be able to experience these exquisite antique artworks with their own hands.Not to mention that most of these treasures are unknown to them before.
Therefore, although sorting out these treasures is a very hard work, for these people, it is like a drink of sweets, and they wish to do this kind of work every day.
Yang Jing's grandfather, Mr. Yang, and Mr. Yang's old friends who rushed over after hearing the news, seeing so many priceless boutiques gathered in the Tianqu Museum, they, the masters of the older generation, also Secretly sighed at Yang Jing, a young man's handwriting and courage.
These masters are all well-informed, but they can't imagine that apart from the Palace Museum, there is no private museum in China that can match the collection of the Grand Canal Museum, or even most of the provincial museums. The collections are far inferior to this now unknown private museum.
Similarly, in terms of treasures, even if the collections of the Grand Canal Museum are not as good as those of the Palace Museum, they are definitely not far behind.
Don't be unconvinced when you say this!Isn't there a firewood kiln in the Forbidden City? "Lanting Collection Preface" is not the original Forbidden City, right? Is there no original copy of "Yongle Dadian" in the Forbidden City? "Surfing the River During the Qingming Festival" Is there no real work in the Forbidden City?
Not to mention the treasures that Yang Jing bought from overseas, many treasures, not to mention the Palace Museum, not even the famous museums such as the Metropolitan Museum and the Louvre in the United States.
But in terms of the quantity and quality of the collections of the top museums, the Grand Canal Museum is not inferior to the top museums in the world.What the Grand Canal Museum lacks is quantity.
The number of tens of thousands of collections sounds like a lot, but compared to the number of collections in the Forbidden City, the Metropolitan Museum, and the Louvre, which are often tens of millions of collections, the number of collections in the Grand Canal Museum is really very small. .
But the Grand Canal Museum really has a lot of masterpieces, just like the three treasures of the Louvre Museum are "Venus with Broken Arms", "Statue of Victory" and "Mona Lisa's Smile", but Yang Jing here also has three bronze sculptures and Da Vinci's "Leda and the Swan"!It's not worse than the Louvre Sambo at all.
The treasures of the four town halls of the Metropolitan Museum of New York are Degas's "Dance Classroom", Dusio's "Madonna and Child", Royz's "Washington Crossing the Delaware River" and the Temple of Dandur. Yang Jing also has Da Vinci's "Portrait of the Sculptor", Raphael's "Madonna's Smile" and "Madonna under the Tree" and many other authentic works of famous painters.
Everyone knows, whether it is Degas, Dusio, or Reutz, how can it be compared with painters of the same level as Da Vinci, Raphael, Ingres, Monet, and Cézanne?
That's right, there is indeed no such large-scale collection as the Temple of Dandur in Yang Jing's collection, but Yang Jing has the golden scepter of Amenhotep III, the ninth pharaoh of the No.18 Dynasty in ancient Egypt. And a golden mask and a golden scepter and a golden mask of the tenth pharaoh Amenhotep IV of the No.18 dynasty of ancient Egypt!In addition, there is the scepter held by Her Majesty Empress Catherine when she ascended the throne and a pair of imperial gold armor of King Philip V of Spain!
The combined value of these few things is absolutely no worse than the Temple of Dandur, and even far surpasses it!
Not to mention that Yang Jing still has [-] Easter eggs in his hand, and manuscripts written by Shakespeare, Tolstoy, Hugo and other famous writers.
These things are placed in the Western world, and any one of them can cause a sensation.Compared with these treasures, the works of Picasso and Van Gogh can only be regarded as ordinary museum collections!
If the country really promises to exhibit the Chuan Guoxi, the imitated Dayu Jiuding, the Twelve Golden Man of Qin, and the four BJ/human skull fossils at the Grand Canal Museum, then Yang Jing really wants to I don’t know which museum’s top collection dares to challenge its own Grand Canal Museum!
Therefore, these peerless treasures in the Grand Canal Museum are irresistible to those experts and masters, which is also where Yang Jing's confidence lies!
(End of this chapter)
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