Rebirth of the Father of Anime

Chapter 842 Comics have not moved, animation first

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The excitement of “Dream Eater: Bakuman” can be expressed in comics. () But the rest of the other works can’t do this, such as “White Box”, there will be parts of coloring the original painting in “White Box”. If you draw in black and white line drafts, people can’t see the original painting intuitively. You can’t appreciate the charm of the changes, you can only make up for it.

Of course, this can also be expressed with color manga, adding one or more coloring assistants, He Chen can launch the color manga, for He Chen, this is nothing. But besides the color, the most important point is the sound-animation is sound, bgm sound, dubbed sound.

This point cannot be reflected in comics anyway.

Merely using pictures and words to fill the audience’s brains, it will never be more profound and true than listening in person. Dubbing is a very important part of the animation. It is also a protagonist in this story. If it is only a comic, then everyone can perform it, but she can’t express it, and it will lose the taste of the protagonist.

Another example is “k-on”, as a comic, it can only be regarded as ordinary-because there are no songs in the comics, although “k-on” is “cute” to shock the world, but the songs in this work are it A very important bonus item, this is the point where the animation is finished and the comics are exploded. It can even be said that if there is no animated version of “k-on” and those songs, there will be no future cute overlord “k-on”.

Therefore, the remaining works of the “Dream Eater” category (“White Box”, “k-on”, “”, “Idol Master”) are all animation first, and the projects of these few are even better than ” “Dream Eater: Blow Man” was planned earlier-because these stories have growth, whether it is “k-on” or “Idol Master”, if the newcomers started by He Chen get trained first, they will go to “acting” afterwards. “The newcomer’s green effect, even if they can have the master level of Yi Jing’s acquaintance, it is far inferior to the ignorant recording they used when they were newcomers–no matter how they acted, it’s also It is impossible to be more like a newcomer than a real newcomer. ()

Therefore, the dubbing of several works started completely before they had received systematic training. For example, Shizuka Sakaki in “White Box”, the dubbing when she applied for dubbing as a newcomer in the story, is He Chen’s newcomer. The newcomers selected in the plan will perform in their true colors when they have only undergone the initial poor training, and they have completed this part at the initial stage, and then after the training, they can dub the front part in reverse, so that they can easily show a kind of The feeling of growth.

The same is true for others.

The cost of this is very high, and the price is very high. The average person would not spend a lot of effort to do such a dispensable thing for a work to appear “real”. But for Tianman, it is not difficult—because Tianman has its own university, has excellent talent reserves for them to choose from, has a more mature training system, and a large number of works can be used by Tianman newcomers to practice. To achieve He Chen’s goal, Tianman can do it without any effort.

And this is also Tianman’s unique, unique, superior advantage over everyone. If you have an advantage, you don’t need to be condemned by the gods. Why should He Chen not make such a “perfect” work?

Animation, animation, animation and manga, the two have always been inseparable. A “Dream Eater: Blow Man” wrote a comic story, and a “Dream Eater: White Box” depicts the story of a group of animation practitioners who are almost never noticed by people behind the scenes.

Since it is also the “Dream Eater” series, the theme of “Dream Eater: White Box” is naturally a dream.

This is a superficial and general theme. However, the distinguishing feature of “White Box” is that it does not talk about chasing dreams-the process of realizing dreams in a single thread. Instead, it explores and advances dreams from multiple aspects in this group drama. This big concept.

The five protagonists actually represent five very different realistic dreams: Meow Sen is a person who dreams of making animation but does not have obvious skills. Although he has been engaged in the animation industry, he has no clear goals. I see that everyone around me has I often feel confused when dreaming; Ema has the talent and dream of painting, and has indeed become an original artist, but encountered many practical difficulties in the work, and has been stumbling forward; Shizuka has always been determined to be a voice actress. Although he entered the office but has not been able to make his debut, he still tirelessly walks on the road of chasing his dreams; although Meisha engaged in the dream 3D production work, but found that the dull and tedious work in reality is different from the original work. The idea runs counter to the idea; the ungraduated little green is the first beauty, the embryonic stage of the most idealized dream, still in front of the gate excitedly carrying a vision for the future-although the five heroines are holding hands together holding the common dream Big trees, but their actual situations are different, representing the different situations that everyone actually encounters when chasing their dreams in reality.

There are two story lines in “White Box”, one bright and the other dark: the open line is the pursuit of the five members of the high school club for their own and common dreams, and the dark line is the various creatures in the animation world involved in the production of the two animations of Tianman .

Tianman still advertises for himself without shame, he puts on the name of Tianman. It is obviously a giant in the industry, but in the story it is only a second grade hovering in the middle and lower reaches. Small company. As the creator, pioneer, and leader of this industry, Tianman itself, the stories that happened in the story will not happen to Tianman at all—the system is too complete, and even if there is a problem, there are mature ones. Emergency remedial measures. Therefore, Tianman’s animation has never had such problems. However, Tianman has produced a story that countless small companies have more or less experienced.

For those small companies who are still struggling with dreams in their hearts, the significance and touch of this work is self-evident. Although they do not appear in this story, for them, this work is Describing their story.

The story of “White Box” looks relatively warm and simple on the surface, like an idealized utopia, but it also reflects the reality of the industry. Individuals who have their own perseverance, it is difficult for them to simply divide the conflict between right and wrong values. How to compromise reality and dreams, how to choose ideals and survival, everyone is faced with similar problems, but also has different answers.

Compared with young people, those who are slightly more mature, especially those who have just stepped into society, feel more touched by this work. r1152

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